The warbling basslines are muted, replaced by gossamer vocals – including the voice of serpentwithfeet – and echoing, organic percussion. Opal, released earlier this year and written entirely during lockdown, is a pensive, almost spiritual, introspective journey. Yet his most recent album has signalled something of a departure. The Timedance label boss, innovative producer and boundary-pushing DJ has spent years establishing his hometown Bristol as the epicentre of forwarding-thinking bass experiments.įamed for polyrhythmic drum monstrosities such as ‘Inner Space’, a track made up of stabbing beats and screaming sirens, it seems nobody around knows how to manipulate frequencies quite like Batu. Alongside a handful of compatriots, Batu is amongst those responsible for spreading the good word. From underground raves to festival main stages, the bass rolls on. The reverberations of British soundsystem culture seem to be just about everywhere these days. When Juliana Huxtable reaches the height of mixing, cutting, looping and chopping, even the universe can’t contain her. Hard techno makes way for pop vocals, industrial morphs into cyberpunk: transformation is key, with styles and tempos shifting and tracks following each other at an astonishing speed – that is, if they’re not being layered in the first place. On a dance-floor level, this translates to Juliana Huxtable’s DJ sets reflecting a constant state of flux. A deep desire to understand, witness and speak to the complexity and complexities of the world drives everything I do, and music is no different.’ In an interview with RA, she recently explained: ‘I am in love with music as an aesthetic and sensuous experience yet also as an embodiment and reflection of social, economic and political information. Not only has her interdisciplinary work been exhibited from MoMA in New York to Art Basel in Hong Kong, her artistry also informs the way she approaches and handles music. When the American selector steps into the booth and takes control of the CDJs – technology which she loves to uses to the extreme extent – questions like ‘how did we just get here?’, ‘where is this going?’ and ‘how the hell does she do it?’ pop up left and right.įirst and foremost, Juliana Huxtable is an artist. There’s a special kind of DJ who’s able to keep your jaw on the floor all set long, no matter if you’re spending 60 minutes on Soundcloud or four hours on the dance floor. And again, there was only possible conclusion: now a full-blown headliner with the power of at least a dozen - this is Sherelle’s world, and we’re living in it. Tonight, the artist finished her Dekmantel ’22 homerun by closing our new stage, The Nest, for the hungrier-than-ever crowd still standing. Sherelle’s festival trip doesn’t end there, however. Finally, we got to feel the relentless yet beautiful story Sherelle’s become known for. Once more, that driving mix of UK gold, with just the right sprinkle of warm chords and a fiery layer of warped, uplifting vocals. Last Friday, Amsterdam got a similar moment of its own, with Sherelle making her Dekmantel Festival debut in the Boiler Room. There was only one possible conclusion: Sherelle, star in the making. It’s a moment that’s been instrumental in the breakthrough and growth of the UK artist while Sherelle moved through a nearly supersonic selection of footwork, jungle, drum ‘n bass and juke, the room came dangerously close to bursting at the seams. Among Sherelle’s most iconic sets is a Boiler Room session from 2019, recorded in – where else? – her hometown London.
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